Sumerian·Book

Position in chronology

DP 292

~2400 BCE·Early Dynastic·P220942

About this tablet

This small clay tablet is a household account from the archive of Bara-namtara, wife of Lugalanda, ruler of the Sumerian city-state of Lagash around 2350 BCE — one of the earliest well-documented royal-household administrations in history. It records a delivery of five talents of a preserved fish product (adartun) from a fisherman of the Tigris, handed over through the palace overseer En-iggal and logged into the queen's storehouse in the third year of her husband's reign. Texts like this, found by the hundreds at ancient Girsu (modern Tello), show how meticulously Early Dynastic Mesopotamian palaces tracked even modest quantities of food moving through their stores.

Plain-language summary by the engine — meant as a doorway into the literal translation below.

Written in modern English

A fisherman named Ur-igiama, who worked the Tigris river, handed over five talents of preserved (adartun) fish. The delivery was processed and confirmed by the overseer En-iggal. It was then deposited into the storehouse — apparently one built for a person or entity named Bil-agames, though that part of the tablet is damaged and partly restored — and formally entered into the household's records. The whole transaction was carried out under the authority of Bara-namtara, wife of Lugalanda, ruler of Lagash, in the third year of the reign. This is a routine receipt from a well-run palace accounting office.

A modern paraphrase of the literal translation — same content, contemporary voice.

Translation — our engine

Our engine
Medium confidence
5 talents of adartun-fish — for Ur-igiama, the fisherman of the Tigris (i7-mah, "great river"): it was returned/delivered by hand. En-iggal, the overseer (of the transaction). [The storehouse (e2-bar)], [built for Bil-agames], [was brought in / entered]. Bara-namtara, wife of Lugalanda, ruler of Lagash. Year 3.

Our translation engine — Sonnet 5. Reads the photo, translates the cuneiform, and writes a plain-language interpretation. See methodology for limits.

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Transliteration

5(asz@c) gu2 a-dar-tun2
ur-igi-ama-sze3
szu-[ku6] i7 mah-ke4
szu-a bi2-gi4
en-ig-gal
nu-banda3
e2 [e2-bar] [bil3-aga3-mes-sze3 du3-a]
[i3-kux(DU)]
bara2-nam-tar-ra
dam lugal-an-da
ensi2
lagasz-ka 3(|ASZxDISZ@t|)

Scholarly note

Catalogue entry from CDLI (ED IIIb (ca. 2500-2340 BC)) — DP 292. No scholarly translation has been published; the transliteration is from the ATF (CDLI's Atf-Friendly format).

Attribution

Image: Louvre Museum, Paris, France (P220942) — Photo via Cuneiform Digital Library Initiative. source
Translation excerpted from engine:claude-sonnet-5 (2026-07-12/v7-evolved).

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